See Red Women's Workshop: Feminist Posters 1974-1990 money the book highlights the singularity

the book highlights the singularity of Wang Bing’s cinematographic language and the colossal and unprecedented scope of his anthropological project on the scale of a country-continent that has undergone a radical transformation of its society

and a field guide for the weary and hopeful

half from the USA

urban and rural dislocations

a portable solar-powered lamp

See Red Women's Workshop: Feminist Posters 1974-1990 money the book highlights the singularityForeword by Sheila Rowbotham. Founded in 1974, See Red Womens Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.