Moving Parts postmodern we revisit the era of

we revisit the era of U

It mimics a visit inside the mountain with the knowledgeable and articulate Jan Spee as a guide

Noting how the film archive does not function simply as a place where moving images are preserved

Matthias Bruhn is professor for art research and media theory at HfG Karlsruhe

the texts exist somewhere between signification and delirium

Moving Parts postmodern we revisit the era ofSurreal and puncturing short stories from the Thai master of the form. In a pink walled motel, a teenage prostitute brings a grown man to tears. A love struck young boy holds the dismembered hand of his crush, only to find himself the object of a complex mnage trois. A naked body falls from the window of a twenty story building, while two female office workers offer each other consolation in the elevator In these wry and unsettling stories, Prabda