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As movie houses close and corporations dominate
and the responsibilities of the artist
The book unfurls from a three-day conference organised by Antonio Cataldo and Adrià Julià in 2020 at the Faculty of Fine Art
Joe Colombo and Bruno Gecchelin
The gaze that encounters it may manifest as an antagonist—be it incisive or flawed—yet it can itself disappear from view
Issei Suda - Photofile reportage As movie houses close andThe work of Issei Suda (19402019) is distinct in contemporary avant garde Japanese photography for its celebration of the beauty of the everyday. His black and white pictures reflect on apparent banality of urban life, capturing the little surprises usually ignored in our world: the shadow of a figure, the shapes of the street, the expressions on stranger's faces. Sudas practice revealed the tensions between old and new Japan, juxtaposing the
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