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he explains how placing two entirely unrelated images side-by-side—such as a weathered barn texture next to a tight portrait of a stranger—forces the viewer to "discover implications" and construct a completely new
the courage of underground newspapers
and fashion
setting a standard for the travel and topographical genre in the mid-20th century
Also Tailored Ultra-Miniature Performance - the Pocket Instamatics
Aperture 88, 1982. Atget, India, Nina Riginsky, Gilles Peress, Robert Adams, Mario Giacomelli, et al. Camera Magazine he explains how placing twoVery good with small scuff on back cover. Small black spot on front cover at right occurred during printing. Small rubber stamp of previous institutional owner inside front cover. Includes The Work of Atget: Old France, A Review by Jed Perl; Through Indian Eyes by Judith M., Gutman; Personal Portraits by Nina Raginsky; Iran Face to Face, photos by Gilles Peress, essay by Curtis Harnack; Our Lives and Our Children by Robert Adams; Where I Was Meant to
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