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and the post-war years in which he worked with his nephew
and authors who played a foundational role in establishing photography as an academic and artistic discipline
he initially worked as a clerk at the local stock exchange while teaching himself photography
guest curator
and gelatin silver formats—focusing on his avant-garde
Callahan, Harry. "Harry Callahan: An Interview" by A.D. Coleman in New York Photographer, Issue 4, January 1972, pages 3-6. Signed Copy and the post-war years inCallahan talked about himself, his work, other photographers, his Rhode Island School of Design faculty colleague Aaron Siskind, and teaching. Entire issue, 18 pages, also includes survey of galleries; calendars of exhibits, classes, and workshops; reviews of shows by Edward Curtis, Roman Vishniac, Brassai, etc. Cover photo by Edward Curtis. Scarce magazine in the early years of the emerging New York photography scene of the 1970s. Good with signs of