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the work reads as both playful satire and a genuine present of Kuniyoshi's draughtsmanship and compositional energy
it remains a work that refuses easy reading
slightly imperfect line of hand-drawn illustration
A real statement for any wall
lasting clarity — every botanical border and gilded detail of this fine art print exactly as the artist drew it
Obatan omu Obatan parrot 1926 by Hiroshi Yoshida Shao Mi the work reads as bothCreated in 1926, Yoshida's Obatan parrot print brings the same atmospheric precision he applied to landscapes to the subject of a single bird. The parrot is rendered in vivid, carefully layered colour, its plumage described through the gradated tonal shifts characteristic of the finest shin hanga work. The composition is direct, even minimal, yet the detail in each feather and the quality of light across the bird's form give it an almost monumental