demonstrating how fine art portraiture can uncover profound dignity within the routine gridlock of everyday life
aiming for more predictable negatives
Levinstein remained notoriously aloof from the commercial art world and never published a book during his lifetime
and high-contrast black-and-white images that challenge traditional studio portrait framing
The publication positions Nixon as a towering figure in the continuation of the 20th-century American humanist documentary tradition
Annuals. U.S. Camera Annual 1962 Signed book demonstrating how fine art portraitureU. S. Camera Annual 1962, edited by Tom Maloney. U. S. Camera Publishing, 1961. Portfolios by Brett Weston (Europe), Mathew Brady, James Abbe, Edward Steichen (with detailed biographical chronology by Grace M. Meyer), Ken Heyman, Robert Freson (portraits of famous photographers plus lovely female nudes), George Silk, Marvin E. Newman, W. Suschitzky, & Peter Suschitzky. Plus two or more images each by Art Kane, Richard Avedon (of Jacqueline Kennedy and