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Paperback : 160 pages
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leads to the possibility of deepening into spiritual perception the scientific thinking that arose from scholasticism
The Language of Tonality in the music of Bach to Bruckner spiritual Paperback : 160Hermann Beckh (author) Translated by Alan Stott Hermann BECKH The Language of Tonality Why are musical works named by their keys: "Mass in B minor", "Symphony in D major", and so on? Can certain things be said best, or even "only", in certain keys? Can we hear the essence of a key? Are "subjective" and "objective" relevant, or is there a higher synthesis? How could the common chord express so much musical variety for over three centuries, and for some